Matthieu Blazy Stages an ‘Imaginary Conversation With Gabrielle Chanel’ for SS26

Not all debuts mean disapppointment
Chanel

Chanel’s Spring/Summer 2026 collection marked Matthieu Blazy’s first for the house—and with it, a recalibration of what the Chanel woman looks like today.

Staged beneath a suspended galaxy at the Grand Palais, the show carried a conversation about freedom. Freedom of form, of movement, and of interpretation.

Blazy framed the collection as a dialogue with Gabrielle Chanel herself—a contemporary reading of her masculine-feminine code and the foundational fabrics she built her legacy on, tweed, jersey, and silk. Those materials reappeared with purpose. Tweed jackets were lightened and unlined, houndstooth tailoring softened into easy trousers, and long silk shirtdresses replaced rigid silhouettes. It was Chanel stripped of ceremony—practical, intelligent, and confident in motion.

The silhouettes leaned loose and lived-in, guided by a modern universality rather than a single archetype of woman. Sharp blazers opened over fluid layers, twin sets were styled undone, skirts carried air. A limited palette of chalk, graphite, and blush kept the focus on cut and texture, while crushed-metal bags and feather-weight knits brought tactile immediacy to the clothes.

This wasn’t a reinvention but a reactivation, Chanel’s signature silhouette, recut and reinterpreted for a generation that values ease over attitude.

Picture of Laiba Babar

Laiba Babar

Laiba Babar is a Dubai-based journalist and the Editor of Soigné Middle East. Her bylines span Time Out, GQ Middle East, Cosmopolitan Middle East, and Grazia Middle East, shaping the region’s evolving dialogue between fashion, beauty, lifestyle and culture. At Soigné, she is intent on widening the lens for modest dressers, shaping a fashion landscape as diverse and inclusive as the region itself.
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